Iamus Returns

A reader, Dan Fair, kindly posted a link to the release of the full album composed by the artificial intelligence program, Iamus, on the comments section of my piece Turing and the Chinese Room Part 2 from several month back.

I took the time to listen to the whole album today (you can too by clicking on the picture above). Not being trained as a classical musician, or having much familiarity with the abstract style in which the album was composed makes it impossible for me to judge the quality of the work.

Over and above the question of quality, I am not sure how I feel about Iamus and “his”composition. As I mentioned to Dan, the optimistic side of me sees in this the potential to democratize human musical composition.

Yet, as I mentioned in the Turing post, the very knowledge that there is no emotional meaning being conveyed behind the work leaves it feeling emotionally dead and empty for me compared to to another composition composed, like those of Iamus, in honor of Alan Turing, this one created by a human being, Amanda Feery, entitled Turing’s Epitaph  that was gracefully shared by fellow blogger Andrew Gibson.

One way or another it seems, humans, and their ability to create and understand meaning will be necessary for the creations of machines to have anything real behind them.

But that’s what I think. What about you?

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